Imitation of Life (1959)

This melodrama is based on a novel and directed by Douglas Sirk (known for his distinct style and focus on “women’s problems”).  In our time, his influence can be seen in Todd Haynes’ Far from Heaven and the AMC’s Mad Men.  

Widowed/single mother, Lora Meredith (Lana Turner), temporarily loses her 6-year old daughter, Susie, at the beach on Coney Island.  She scrambles to find the girl amid the crowd, and runs into a handsome photographer, Steve Archer (John Gavin), who offers his help.  When she finds Susie, she is with a kind black woman, Annie Johnson (Juanita Moore) and her 8-year old daughter, Sarah Jane (who has dark brown hair and looks white).  “Her father was almost white,”  Annie explains to the surprised Lora, who thought Annie was the girl’s nanny.  It turns out that Annie is also a widow, and she and her child have no place to stay.  Lora asks them over to her humble Manhattan apartment. 

In no time, the four are functioning as family.  Lora goes out into the theater world to seek work as an actress; Annie takes care of the home, kids, and picks up little jobs now and then.  The girls go to school and grow up like sisters, though conflicts arise when Sarah Jane insists on hiding her true racial identity.  For many months, Steve and Lora date.  Though he loves his art, he gets a stable job in marketing.  He’s good with Susie, too.  But he’s not as perfect as he seems…

In time, Lora achieves the success she dreamed of professionally.  She becomes a star of theater, then movies, working with notable directors.  The family moves to a spacious house on Long Island.  Annie is always there- the “wind beneath her wings”- serving as a homemaker, confidant, and partner.  In one poingnant scene, Lora admits that Annie was more of a mother to Susie than she was (because of her high ambitions).

The girls grow into beautiful, charming, independant-minded teenagers.  Susie (petite, blonde Sandra Dee) has a positive outlook on life, though Sarah Jane (Susan Kohner, an actress of Czech and Mexican heritage) is troubled and restless. 

There is much to admire in this film, but also troubling aspects (reflecting the limitations of Hollywood and US.)  Why is Annie always humble, obliging, and wise?  Why doesn’t she have weak moments, like Lora?  Why weren’t African American actresses chosen to play Sarah Jane (as in the 1934 version)?  I’ll have to watch that version, too.  Some of the themes in this film are very modern: navigating a man’s world without a husband, raising a child as a single parent, and mother-daughter conflicts. 

Lora and Annie are like two sides of a coin- one has the strength to face the outside world (with her beauty and confidence), while the other has a quiet, inner strength (stemming from her spirituality).  Moore won a Best Supporting Actress Oscar for her performance. 

I was impressed by Kohner’s performance; I thought she did a fine job of a rebellious, conflicted individual seeking a place in the world. 

Not as a Stranger (1955) starring Robert Mitchum & Olivia de Havilland

At the opening, Lucas Marsh (Robert Mitchum, one of my favorite actors) is an idealistic intern at a private hospital.  Luke has dreamed of being a doctor since childhood, though he comes from very humble roots (his mother is dead and his father is a drunkard).  His best friend is Alfred Boone (Frank Sinatra in a fine supporting role), the jovial son of a comfortable family who loves chasing women.  Al comments to a classmate that though they all want to be doctors, Luke “wants it more- he has to.”  Luke works as a lab researcher, usually late into the night.

While working, Luke strikes up a friendship with a 1st gen. Swedish-American nurse from Minnesota, Kristen (Olivia de Havilland).  She even arranges it so that he and Al can watch an important surgery.  When Luke’s father spends the money his mother saved for his education, he’s desperate (though he conceals it well).  He gets some help from Al and his teacher, Dr. Aarons (Broderick Crawford), but it’s not enough.  Dr. Aarons, who is Jewish, went through a lot of trouble to become a doctor, and sees great potential in Luke.   

When Kris invites Luke and Al to dine with her friends Bruni and Oley (Harry Morgan from M.A.S.H.), Luke learns that Kris has saved quite a bit of money.   It’s obvious that Kris likes Luke more than a friend, so he asks her out.  (After all, she’s a fine nurse with a “pretty face” and “nice figure.”)  After a few dates, he decides to propose, though Al reminds him that he doesn’t love her.  They nearly come to blows (Luke has a hot temper).  “It’s not like that.  Things are not always black and white,” Luke replies.

They marry and move into her little apartment.  They continue with their respective work; Kris helps Luke prepare for his exams and with his people skills.  (Since he has such high standards, it’s difficult for him to tolerate weakness in others.) 

Marsh, you’re one of the most brilliant students we’ve ever had here.  You’ll be a great physician.  Stop living your life like a Greek tragedy, or you’ll muff it!  -Dr. Aarons
After graduation, the couple move to a small town, where Luke shares a practice with Dr. Runkleman (Charles Bickford), the most experienced doctor in the area.  Dr. Marsh is pleasantly surprised to learn that the older man keeps up with the latest research.  The life of a country doctor is tougher and more tiring than anticipated.  

There is also temptation- a wealthy young widow, Mrs. Lange (Gloria Grahame), summons Dr. Marsh to her home late one night (to check him out).  He’s taken aback by her looks and boldness.  At home, Kris wants to start a family. 

The secret of Robert Mitchum’s success(ful) appeal as an actor was his ability to easily combine tough masculinity and tender vulnerability in one persona, unlike any of his peers (John Wayne, William Holden, Gregory Peck, Charlton Heston).  One felt that Mitchum concentrated more on fully and honestly showing all sides of whatever character that he was playing, even the weak and not-so-tough moments… 

A commentor on YouTube

This film is a must-see for any fan of cinema!  It has well-developed characters, great dialogue, and takes the viewer on a journey.  The editing and pacing are also well done; this is important since the film clocks in at 2 hours and 15 minutes.  (The director is a groundbreaker in the field, Stanley Kramer; he also directed Inherit the Wind, The Defiant Ones, Guess Who’s Coming to Dinner, and many others.)  The ending is fitting and very fulfilling- I got a bit teary-eyed.

Film classics to watch on YouTube

Hey all!

Recently, I rewatched Alfred Hitchcock’s Rope (1948) on YouTube.  I’d seen it a few years ago, but didn’t recall the ending.  The stars of the film are John Dall, Farley Grainger (who later starred in Strangers on a Train), and one of my favorite actors of all time- Jimmy Stewart.  This film is very different from the English play it’s based on, mainly because of the censorship rules of its time.  The film is pretty great, technically, which is expected from Hitchcock.  Some of you may also be interested in Rope Unleashed, a 30 minute behind the scenes look with Hume Cronyn, Granger, Patricia Hitchcock (the director’s daughter), and writer Arthur Laurents.

Below are some (full-length) film classics that you can watch (FREE) on YouTube!

Thanks for visiting!

-EMMA

Mary Galante – 1934; starring a young Spencer Tracy

Pygmalion – the inspiration for My Fair Lady; 1938; starring Leslie Howard

Love Story – 1944; inspiration for An Affair to Remember; starring Margaret Lockwood & Stewart Granger

The Stranger – 1946; starring Orson Welles & Edward G. Robinson

Borderline – 1950; starring Fred McMurray, Clare Trevor, & Raymond Burr (best known as Perry Mason)

Witness to Murder – 1954; starring Barbara Stanwyck, George Sanders, & Gary Merrill

Some Quick Film Reviews

The Best Exotic Marigold Hotel (2012)

Well, you really CAN’T go wrong w/ such a stellar cast!  (Dev Patel, just 21 y.o., said how BIG of an honor it was to work w/ all these legends, in a recent NPR interview.)   My fave characters were portrayed by Judy Dench, Bill Nighy (he surprised me w/ his skill), & Tom Wilkinson.  Some viewers commented that Patel’s acting was very one-note (& I mostly agree w/ that).  Perhaps he got bogged down in the Indian accent (he’s a British desi, after all); perhaps he just needs to learn more.  The complete change of heart from Maggie Smith’s characters didn’t ring QUITE true IMO.  There are some GREAT life lessons in this film, BUT it’s NOT schmaltzy or stereotypical. 

Empire Falls (2005)

Fans of Paul Newman will be surprised by his (antihero) role in this HBO miniseries!  There are some  fine performances, esp. from Ed Harris, Aidan Quinn, Robin Wright Penn, & a young Danielle Panabaker.  I thought it started out quite strong, BUT there is something disjointed about it.  It’s set around two VERY different families in a working-class town of Maine. 

L.A. Confidential (1997)

Three reasons to see this film (in order): 1) Russell Crowe 2) Kevin Spacey 3) Guy Pearce.  I’m pretty sure this film was a star-making turn for Crowe.  Also, this is one of the BEST edited films I recall seeing.  I was surprised that Kim Basinger was so capable- she didn’t annoy me in this film!   I think you need to see it twice to appreciate it- I don’t think I paid attention the first time.

The Horseman on the Roof (1995)

This historical French film is GORGEOUS (& not just b/c of the two leads)!  There’s a LOT of natural beauty- greenery, mountains, snow, etc.  Olivier Martinez, who you may recall from Unfaithful,  portrays a true “romantic” (a individual of high ideals).  Juliette Binoche is perfect (as usual), though there is NOT much dialogue.   Plus, you have to give props to a woman who’s not afraid to act w/ a man prettier than her- LOL!   La Binoche never disappoints.

Wiseguy (Season 1, Part 2)

Season 1, Part 2 of the unusual ’80s drama continues w/ the always gorgeous OCB agent, Vinnie Terranova (Ken Wahl), going undercover as a bodyguard to unstable billionairre Mel Proffit (Kevin Spacey) in Vancouver.  Proffit is into guns and drugs big time, we discover over this series of eps.

Fans of Spacey are in for a treat here, b/c aside from Mel’s drug dependency and eccentric ways, there are a FEW believable and touching moments, too!  Vinnie gets himself wrapped up w/ Mel’s stunning younger sister Susan (Joan Severance, a former model).  I was surprised to see such capable acting from a novice (too bad that she’s mainly remembered for her looks and skimpy outfits).

Mel’s most trusted associate (aside from Susan) is hitman Roger Lococco (Canadian actor William Russ; he later played the father on Boy Meets World).  Lococco, a Vietnam vet who operates according to his own code, is VERY intriguing.  Vinnie is mystified by him, yet feels like they’re connected somehow.  We eventually learn that Roger is MORE than what he seems.  Russ is a strong actor, so able to create a fine foil (or perhaps, frenemy) for Wahl.

We also see more of Agent Terranova’s field supervisor, Frank McPike (Jonathan Banks), in this arc.  He becomes vulnerable, and more likeable, after his wife asks for a separation.  McPike, who has a young son, gets a love interest.  Vinnie calls on The Lifeguard (Jim Byrnes) more often to discuss his true feelings, not merely business.  They finally meet each other!

Yes, this show has action: guns, fistfights, explosions, etc.  But what keeps me watching are the interesting (sometimes wacky, admittedly) characters that Vinnie has to deal w/ on a daily basis.  He gets involved in their lives, sometimes TOO much.  Though it’s set in the late ’80s, the show is not 100% gung-ho about the police, government, etc.  Vinnie admits in this story arc that he doesn’t want this type of life for long; he thinks of a wife, kids, and wanting to “worry about crabgrass.”  If there was a modern show like this, I’d probably tune in!

Here is my earlier review of Season 1, Part 1.

https://knightleyemma.com/2011/11/21/wiseguy-season-1-part-1/